Services

Advisory

  • Visual artist, collector, and estate relationships

  • Legacy planning and strategies for artists and professional creatives

  • Accessing established analogue and digital archives

  • Image licensing support for rights managed uses

  • Entering museum collections

  • Gifting and donating photographic prints and use rights

  • Photographic print type education and valuation

  • Photographic print sales and print acquisitions

  • Marketing visual artists

  • Website and overall content strategy for visual artists

  • Social media goals, strategy, and tactics for visual artists

  • Image editing for websites

  • Online viewing presentations for private and public use

  • Co-writing and text editing for websites

  • SEO for websites

Content Management and Curation

  • Digital asset management systems for artists with physical work and ephemera

  • Digital asset management best practices for digital image archives

  • Best practices for archives of photographic prints, work on paper, and ephemera

  • Image curation for exhibitions, books, websites, and portfolios

  • Image curation for work and domestic spaces

Production

  • Gelatin silver and color pigment print production management from archive to prints

  • Film and print scanning conversion to digital files for books, magazines, and online uses

  • Exhibition production management

  • Book production management

 Frequently Asked Questions

  • I work with individuals and organizations with cultural and educational missions who need content solutions to reach their goals. For example; visual artists, photographers, museums, galleries, art foundations, and art archives. However my skills and experiences can be applied to many projects and situations.

    Over my career I have worked with Richard Avedon, Hiro, Ellen Graham, The Richard Avedon Foundation, Adobe Stock, Hamiltons Gallery, Pace/MacGill Gallery, The Museum of Fine Arts Boston, The J. Paul Getty Museum, The Norton Museum, and other notable organizations, content makers, and estates. I have also served on the board of the American Society of Media Photographers Connecticut chapter since 2020 where I support mid-career and emerging photographers.

  • I have worked with individuals and organizations since 1998. I formed my LLC in 2012. Through these experiences I honed my expertise to know why, what, where, and how image and text content is used for distinct audiences. I have also been involved with digital asset management systems for small and large organizations.

    I earned a BA in commercial photography at Brooks Institute, a history BA at Kenyon College, and studied at the School of Visual Arts in New York. Using my knowledge of visual artists and art markets I have given ASMP live presentations and webinars.

  • I have 20 years of experience working with individuals and organizations in a range of markets. Through these experiences I understand the unique challenges and opportunities of content to achieve a goal.

    I am trained in and experienced in the following areas

    • Visual Fluency

    • Visual Trends

    • Image Research

    • Image Editing for Singular & High Volume Uses

    • Image Curation

    • Content Licensing

    • Partnerships

    • Studio Photography

    • Image Production

    • Print Production

    • Exhibition Production

    • Physical and Digital Archive Management

    • Print Types

    • Image Critique

    • Project Management

    • Managing Content

    • Content Strategy for Marketing

    • Copy Writing for Websites & Social Media

    • Coaching Creatives

    • Artist Estate Planning

  • My fee structure is designed to suit a project goals and budget. Typically this translates to hourly, project, or a retainer agreement with clear expectations and objectives.

“I first met Cameron when he began working with Hiro in 2004 after his tenure with Richard Avedon. During the past 14 years we have worked together on a continuing series of iconic advertising images for Elsa Peretti / Tiffany & Co., and on editorials for the American edition of Harpers’ Bazaar. Cameron’s contributions however, extend far beyond these projects. 

I have always been impressed by his positive attitude, and having seen first-hand the high quality of his work and his dedication to those he works with, it’s easy to understand how he came to play such a vital role with one of the most important photographers of our time.”

Richard Singh, Styling, Photography, Creative Direction, 2018